Natalie Häusler

ceramic glaze on tiles, wooden substructure, pool liner, water, lava stones
1200 × 240 × 75 cm
KIT/Kunsthalle Düsseldorf, DE
Silkscreen medium; mineral pigments, fabric, stretcher bars
90 × 130 cm
ECOLOGY - Sunrise of the Heart, 2018 & The Sun, 2018
cement, pigments, sand, three ultrasonic speakers, six studio monitors, media players, sound; 330 × 330 × 5 cm /
6-channel soundscape & 3-channel infinite speech sound loop via randomizer
KIT/Kunsthalle Düsseldorf, DE

Sound: here

LA notebook 'HONEY‘, 2018
Ink and watercolor on paper
21 × 14 cm
Vacuum Bed No.1 (Christine), 2016
Plaster, rope, wire, metal, wood, latex, plastic tube, vacuum pump, timer
192 × 96 × 50 cm
Kunstverein Bielefeld, DE / Supportico Lopez, Berlin, DE

Sound: here

Case Mod, 2013
Environment, installation view
Supportico Lopez, Berlin, DE
Aykan / Casino, 2013
Stained glass, speakers, mp3 player, laser print on paper, sound
64 × 47 × 20 cm / 48 sec

Sound: here

Natalie Häusler (*1983) is a Berlin based artist and poet.

““Sex,” as Häusler writes in her book-length poem ‘Corals’ (2015) “is the ecology of the poem.” When read alongside concerns in ECOLOGY – Sunrise of the Heart (2018), this rather provocative line suggests that the poem can only emerge in encounters between bodies broadly defined – in the worldly eroticism and pleasure of being-together, to and for one another, that is continually formed and transformed through language.” (Matthew Rana) She constructs physical spaces which the reader / viewer / listener and the poem inhabit together. In her work she allows for the interweaving of diverse narratives and ways of writing through the construction of these physical environments which often engage several senses at once.

Natalie Häusler holds an MFA in Painting from Bard College – Milton Avery Graduate School of the Arts, New York, US and an MFA in Painting and Sculpture from the University of Fine Arts Braunschweig, DE. Her work has been exhibited internationally including Kunstverein Bielefeld; Noplace, Oslo; Supportico Lopez, Berlin; Combo, Córdoba; PS122 Gallery, New York; Municipal Gallery of Lisbon; ICA, London; KM – Halle für Kunst & Medien, Graz; Mendes Wood DM, São Paulo; Hacienda, Zürich; Raven Row, London; Kunstverein Nürnberg; Herman Nitsch Museum, Naples; KIT/Kunsthalle Duesseldorf; Nurture Art Foundation, New York; Kunsthalle Ravensburg, Goethe Institut, New York Library and Kunstverein Hannover. Her book “A Virus Can be on a Mussel […]” was published in 2014 by Mousse. In 2018 she was an artist-in-residence at the Villa Aurora in Los Angeles. She has received grants from Hans and Charlotte Krull Stiftung; BAU Institute, NY for the Camargo Foundation, Cassis; Berlin Senate Stipend for Cité Internationale des Arts, Paris; DAAD Study Scholarship, New York; MFA Scholarship, Bard College, New York; Byrd Hoffman Watermill Foundation Scholarship, Long Island and the Arthur Boskamp Stiftung Emerging Artist Award. 2018 she received a travel and grant from the Special Collections & Archives Library, UC San Diego.

During her residency at AIR351 she is working on a new sound piece titled ANTI CLIMA CTIC, other discoveries might occur alongside.

10.2021 – 01.2022
Direção-Geral das Artes (DGARTES)
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